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	<title>Lizzy Le Quesne.com</title>
	<link>https://lizzylequesne.com</link>
	<description>Lizzy Le Quesne.com</description>
	<pubDate>Tue, 10 Feb 2026 13:06:28 +0000</pubDate>
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		<title>home</title>
				
		<link>https://lizzylequesne.com/home</link>

		<pubDate>Mon, 18 Feb 2019 02:12:29 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

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		<description>Lizzy 
Le Quesne























dance artist

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	<item>
		<title>news </title>
				
		<link>https://lizzylequesne.com/news</link>

		<pubDate>Tue, 10 Feb 2026 13:06:28 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

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		<description>News and Upcoming Events:&#38;gt; International Symposium, Prague.&#38;nbsp;

21-28 June 2026
Inner Speech as a Stage Gesture in Dance Improvisation
 

Academy of Performing Arts (HAMU), Prague, Czechia. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1440" height="2036" width_o="1440" height_o="2036" data-src="https://freight.cargo.site/t/original/i/941d3d286f5732e53161c701006a48ae02c97e0e423b2127929bd5c82d816330/PosterA_DIGITAL.jpg" data-mid="249471064" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/941d3d286f5732e53161c701006a48ae02c97e0e423b2127929bd5c82d816330/PosterA_DIGITAL.jpg" /&#62;


Presentation in the Panel: Inner Speech -Processes of Decision-Making while Improvising 23.06.26With&#38;nbsp; project director Mish Rais, co-editing a book from the symposium presentations and reflections by multiple authors - NAMU 2027


programme and information: &#38;nbsp;https://www.damu.cz/en/events/sympozium-inner-speech-as-a-stage-gesture-in-instant-composition-2903/

&#38;gt; Berlin Workshop
Technologies of Autonomy and Allowing
Skinner-Releasing-Intensive - full series of 15 Introductory classes, creative practice, and theory/discussion sessions.
Tanzfabrik, Berlin, Germany.&#38;nbsp; 3-13 June 2026
with Lizzy Le Quesne and Bettina Neuhaus&#38;nbsp;

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="753" height="1600" width_o="753" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1ebcb40ff3ac48620f0b65503fc6696fb44ff3830b6c0a1d53b275391a812fb5/WhatsApp-Image-2026-02-10-at-13.33.50.jpeg" data-mid="244674835" border="0" data-scale="36" src="https://freight.cargo.site/w/753/i/1ebcb40ff3ac48620f0b65503fc6696fb44ff3830b6c0a1d53b275391a812fb5/WhatsApp-Image-2026-02-10-at-13.33.50.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="607" height="1126" width_o="607" height_o="1126" data-src="https://freight.cargo.site/t/original/i/ddbc7505e56b8a70c50401d8b3a306d2e45193d887d87f3c88ff92665309cef3/ST_2BBettinaNeuhaus_DSC0688_9_rew.jpg" data-mid="244674802" border="0" data-scale="41" src="https://freight.cargo.site/w/607/i/ddbc7505e56b8a70c50401d8b3a306d2e45193d887d87f3c88ff92665309cef3/ST_2BBettinaNeuhaus_DSC0688_9_rew.jpg" /&#62;

Information:&#38;nbsp;https://www.tanzfabrik-berlin.de/en/skinner-releasing-intensive?fbclid=IwY2xjawP34L5leHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe6QDgBNCF1HBkJ_E986O4IZOPvGxoz8ajFINoC9pjBQXqdxNWy-siSVEetgU_aem_jj9FXpLj5UtSIrjhz48RhA
Booking: https://www.tanzfabrik-berlin.de/en/workshop_programm#
&#38;gt; SRT Ongoing Level - Teacher Certification
April 2026 - After 15 years teaching the 15 classes of the Introductory series to SRT, Lizzy is certified as teacher of the additional classes in the SRT Ongoing Material.&#38;nbsp;
This material facilitates a deeper engagement with Releasing as transformative process
Skinner Releasing Institute, international gathering of SRT teachers, Glasgow, UK




&#38;gt; New Book PublicationSecretly Alive: Embodied Perspectives on Dance Improvisation 
(eds Rais, Eliasova, Le Quesne. NAMU, 2024).
Interviews with living legends: Rosalind Crisp, Julyen Hamilton, Wendy Houston, Eva Karczag, Daniel Lepkoff and Nita Little. With essays by Le Quesne, Eliasova and Rais.&#38;nbsp; 
Published in Czech and English versions, and dual-language box-set &#38;nbsp; &#38;nbsp;

 &#60;img width="500" height="713" src="https://freight.cargo.site/w/500/q/94/i/e9e1f98f9c838c6bb3e4f594eadb5e61668f7b740f453e03cd93e2f327b71249/Secretly-Alive-English-cover.jpg" style="width: 283.19px; height: 403.829px;" data-scale="38"&#62;&#38;nbsp; &#38;nbsp; &#60;img width="500" height="588" src="https://freight.cargo.site/w/500/q/94/i/09debb9f577ca261b5ac627d83543dd370e07e190b37b1bdd3e9828e10242166/Secretly-Alive---Tajne-nazivu-bookset-image.jpg" style="width: 342.809px; height: 403.143px;" data-scale="46"&#62;
Purchase from:
https://namu.cz/secretly-alive#:~:text=In%20Secretly%20Alive%2C%20dance%20artists,%2C%20Authorial%20and%20Creative%20Principle'.


Or direct from me (English version only)
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	<item>
		<title>about</title>
				
		<link>https://lizzylequesne.com/about-1</link>

		<pubDate>Sun, 17 Feb 2019 21:30:16 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/about-1</guid>

		<description>creative practiceAward-winning research and performance practice in somatic dance: spatiality, affect and becoming. I work with embodied feeling states, compassion, presence

and the ethics of becoming

 - within the flows and densities of body and space. Mediating inner and outer forces, I seek possibilities of frankness, desire, gentleness and power within relational frames.
St Ethelburga’s Centre for Reconciliation and Peace, London; TAP Arts Southend; 

 Coventry University; Divus, London; Siobhan Davies Studios, London; Wilkinson Gallery London;

National Gallery of Modern Art, Prague; Kyoto Arts Centre, Japan; Art Claims Impulse, Berlin;&#38;nbsp; Czech Centre, London;&#38;nbsp; NoD Prague; Tanec Praha Prague;&#38;nbsp; Preview Berlin; Futura Gallery, Prague; Prague Castle; Jiri Svestka Gallery Prague; 

 British Counci, Prague; 

Geothe Institute Prague;

The Place London; Hackney Empire.&#38;nbsp; Residencies include: British Council Prague; TAP Arts Southend;&#38;nbsp; HAMU Academy of Performing Arts Prague; Futura-Cimelice Czechia; Art Claims Impulse Berlin; Futura Gallery Prague; Jacobs Pillow USA;&#38;nbsp; Geothe Institute Prague.

performance and collaborations 
 
Oreet Ashery; Dog Kennel Hill Project;


Anthony Gormley;



 Michael Klien;


Rosemary Lee;&#38;nbsp; 

Florence Peake; Amalia Pica; 

Carolyn Roy;&#38;nbsp; 

Tino Sehgal; Stefan Jovanovic; Adam James; Ricochet Dance Productions; Jan Pusch; Wally Cardona; Darlene Stevens; Susanna Szperling; Patricia Woltmann; Margarita Zafrilla-Olayo.&#38;nbsp;Tate Modern; Wellcome Collection; Hayward Gallery; Whitechapel Gallery; Bosse &#38;amp; Baum; Space Studios; Benaki Museum, Athens; MACRO Rome; Jerwood Gallery; RICE on Hydra; national mid-scale touring and Dance Umbrella Festival UK.teaching &#38;nbsp;
Skinner Releasing Technique (SRT) and creative somatic practice: professional dancers and performers, dance conservatoires and universities, community, and arts-and-health. 


My teaching develops technical states of embodied availability and presence and creative somatic process to foster states of empowerment and autonomy. &#38;nbsp;I aim to cultivate states of aliveness and trust, through which to become present in and&#38;nbsp; interact creatively and spontaneously with our world.

 research, writing and broadcast&#38;nbsp; On dance, art, embodiment and somatics in academia and journalism. 

Book: Secretly Alive: Embodied Perspectives on Dance Improvisation (Ed., with Rais and Eliasova, NAMU 2024).


Book chapters published in 

Secretly Alive: Embodied Perspectives on Dance Improvisation&#38;nbsp; (Ed. Rais, Eliasova, Le Quesne, NAMU, 2024);&#38;nbsp;Skinner Releasing Technique (Ed. Emslie, Triarchy Press 2020), Attending To Movement: Somatics in a Wider Field (Ed. Garret-Brown, Whatley, Alexander, Triarchy Press 2015). 

education - training - qualificationsPractice-based PhD &#38;nbsp; &#38;nbsp; 
2021-2025&#38;nbsp; &#38;nbsp;“Feeling and Becoming: Towards a Post-Somatic Dance”Coventry University, 

Centre for Dance Research. 
Funded:&#38;nbsp;M4C Scholarship, AHRC UKMA by Research&#38;nbsp; &#38;nbsp;2020-2021 Skinner Releasing Technique and the Autonomic Nervous System
Coventry University, 

Centre for Dance Research

Funded: 

M4C Scholarship, AHRC UK

Somatic movement and therapeutic practices &#38;nbsp; &#38;nbsp; 1996 - presentAlexander Technique;&#38;nbsp; Authentic Movement; Bodynamics; Body Mind Centring; Continuum; Experiential Anatomy; Feldenkrais; Improvisation; Kundalini Yoga; Mindfulness Meditation; Qi Gong;&#38;nbsp; Realization Process; Scaravelli yoga; Skinner Releasing Technique (UK and USA); Somatic Dance Movement Therapy




SRT Teacher Certification&#38;nbsp; &#38;nbsp;2010-2011
Skinner Releasing Institute, Coventry UK - funding: Dance UK and Lisa Ullman Travelling Fund
MA Dance Studies - Choreography, Choreology, Aesthetics &#38;nbsp; &#38;nbsp; 1996-1998
Laban Centre London - now Trinity Laban Conservatoire for Music and Dance
BA Visual Art and Dance &#38;nbsp; &#38;nbsp; 1987- 1990
Brighton Polytechnic - now University of Brighton




based

Born Australia, grew up in UK. Early 1990s and 2000s lived and worked in Prague (Lecturer/Artist in Residence at HAMU Academy of Performing Arts; and Guest Teacher at Duncan Centre Conservatoire of Modern Dance). Currently based in London and working internationally









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	<item>
		<title>choreographic works</title>
				
		<link>https://lizzylequesne.com/choreographic-works</link>

		<pubDate>Tue, 26 Feb 2019 12:10:22 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/choreographic-works</guid>

		<description>choreographic works


&#38;gt; Desire Paths...and The Possibility of Innocence 2024

Performance - St Ethelburga’s Centre for Reconciliation and Peace, London 2024
Work in progress sharing - Kunstraum, London 2023
PhD Practice as Research&#38;nbsp;
with dancers Franzi Boehm, Laura Dhoeler, Mira Hirtz, Elisa Vassena, Margarita Zafrilla-Olayo


&#38;nbsp;&#38;nbsp;&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5e7a7be60b91ce8909ab8ca26cd6e8d526141ebb0e2c2d364e2f94740e0c2fe3/invitation1.png" data-mid="219744377" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5e7a7be60b91ce8909ab8ca26cd6e8d526141ebb0e2c2d364e2f94740e0c2fe3/invitation1.png" /&#62;
&#38;nbsp;&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/d5e7392f03e5df1dbe7a7e450e51e3615425555aa1ef4fff1cd93c1d6a55a65d/DSC02752---Copy.JPG" data-mid="219744600" border="0"  src="https://freight.cargo.site/w/1000/i/d5e7392f03e5df1dbe7a7e450e51e3615425555aa1ef4fff1cd93c1d6a55a65d/DSC02752---Copy.JPG" /&#62;
&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/5427d2b6226280bd7208f5580fe115062a4675c19bcfdd349f5d67465e959f2b/DSC02783---Copy.JPG" data-mid="219744601" border="0"  src="https://freight.cargo.site/w/1000/i/5427d2b6226280bd7208f5580fe115062a4675c19bcfdd349f5d67465e959f2b/DSC02783---Copy.JPG" /&#62;&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/3407d07307000b8fe9c2f51253c5e5e25634e0d9d03875c2ec6618ee97c1d4bf/DSC02877---Copy.JPG" data-mid="219744614" border="0"  src="https://freight.cargo.site/w/1000/i/3407d07307000b8fe9c2f51253c5e5e25634e0d9d03875c2ec6618ee97c1d4bf/DSC02877---Copy.JPG" /&#62;&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/94fe3f5131527205ade59978b1ba452cae8bc491eab0b47066263ebf98f82e85/DSC02887---Copy.JPG" data-mid="219744662" border="0"  src="https://freight.cargo.site/w/1000/i/94fe3f5131527205ade59978b1ba452cae8bc491eab0b47066263ebf98f82e85/DSC02887---Copy.JPG" /&#62;&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/47b298c8e6dc59a425efd4228527af347cc1a7163201e8d0c22543d80c37267b/DSC02898.JPG" data-mid="219744624" border="0"  src="https://freight.cargo.site/w/1000/i/47b298c8e6dc59a425efd4228527af347cc1a7163201e8d0c22543d80c37267b/DSC02898.JPG" /&#62;




&#38;gt; Dancing on the Edge #1


Lizzy Le Quesne / Carolyn Roy / Margarita Zafrilla-Olayo - collboration

with paintings by Pato Bosich



Three Highgate Symposia, Three Highgate Gallery, London 2021
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="491" height="663" width_o="491" height_o="663" data-src="https://freight.cargo.site/t/original/i/43508825c8df6248e19dbd781719bb3851aa622cbd444f475548b91a638ae925/IMG_0499.jpg" data-mid="141168519" border="0" data-scale="56" src="https://freight.cargo.site/w/491/i/43508825c8df6248e19dbd781719bb3851aa622cbd444f475548b91a638ae925/IMG_0499.jpg" /&#62;&#60;img width="504" height="589" width_o="504" height_o="589" data-src="https://freight.cargo.site/t/original/i/93f2811bd6b99baad7b1368bddc243dc8f0cf37fc68ffdf99c3c5f07ed42ebb1/IMG_0500.jpg" data-mid="141168522" border="0" data-scale="51" src="https://freight.cargo.site/w/504/i/93f2811bd6b99baad7b1368bddc243dc8f0cf37fc68ffdf99c3c5f07ed42ebb1/IMG_0500.jpg" /&#62;&#38;nbsp;&#38;nbsp;


&#38;gt; Reeling
Lizzy Le Quesne/Carolyn Roy - collaborationWilkinson Gallery, London 2016
Performers: Lizzy Le Quesne, Carolyn Roy

&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/76e7d04574e4eb72c470c3da86b8d4fe613922dcbdae74bd211d9e822a6ba161/reeling-duet.JPG" data-mid="36495062" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/76e7d04574e4eb72c470c3da86b8d4fe613922dcbdae74bd211d9e822a6ba161/reeling-duet.JPG" /&#62;







&#38;gt; Dark Might
Mixed-media solo performance: movement, projected image, writing
The Old Waterworks Gallery, Southend on Sea 2015

Performer: Lizzy Le Quesne


&#60;img width="1020" height="727" width_o="1020" height_o="727" data-src="https://freight.cargo.site/t/original/i/ac849cdb2f0e1d9dc300517c02edec3d7057107b281b8d1f91227c160c20576a/Image-22-02-2019-at-12.23.jpg" data-mid="36320304" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/ac849cdb2f0e1d9dc300517c02edec3d7057107b281b8d1f91227c160c20576a/Image-22-02-2019-at-12.23.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="554" height="586" width_o="554" height_o="586" data-src="https://freight.cargo.site/t/original/i/f6a9d9d9f9ba7b81f86817c1407b8d8b0206f09a1826c259ada32beab29f2d09/IMG_7026.JPG" data-mid="36325532" border="0" data-scale="62" src="https://freight.cargo.site/w/554/i/f6a9d9d9f9ba7b81f86817c1407b8d8b0206f09a1826c259ada32beab29f2d09/IMG_7026.JPG" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="1060" height="749" width_o="1060" height_o="749" data-src="https://freight.cargo.site/t/original/i/fa4f1f44ed5e6a13c08f51c527ba658d24b49fc2ff188077dbb03b0ccf92c69a/Image-22-02-2019-at-12.28.jpg" data-mid="36320305" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/fa4f1f44ed5e6a13c08f51c527ba658d24b49fc2ff188077dbb03b0ccf92c69a/Image-22-02-2019-at-12.28.jpg" /&#62;









&#38;gt; Shattered Glimpses of Belonging
Spontaneous Combustion Festival, London 2015 
Divus Gallery, Deptford Enclave London 2015
Dancers: Lizzy Le Quesne and Carolyn Roy
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d9666a851cf76f13d0fe26912bc770f19c5f3e4ac46353800d75a3f2ffeda707/Screen-Shot-2019-02-22-at-00.40.29.png" data-mid="36325981" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/d9666a851cf76f13d0fe26912bc770f19c5f3e4ac46353800d75a3f2ffeda707/Screen-Shot-2019-02-22-at-00.40.29.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 



&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/9b976056ff2014926919eb8e5681069f53d5f329da2c924b8a3a0eb5aa45a5f2/1609551157687blob.jpeg" data-mid="93667274" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/9b976056ff2014926919eb8e5681069f53d5f329da2c924b8a3a0eb5aa45a5f2/1609551157687blob.jpeg" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="2677" height="2259" width_o="2677" height_o="2259" data-src="https://freight.cargo.site/t/original/i/001cbc3833bbb9197b95fa60915cf37f1f952451f171d3fe6333462910fc1811/1609551340414blob.jpeg" data-mid="93667269" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/001cbc3833bbb9197b95fa60915cf37f1f952451f171d3fe6333462910fc1811/1609551340414blob.jpeg" /&#62;





&#38;gt;Dislodgings
Mixed media solo performance: movement, photography, writingThe Old Waterworks Gallery, Southend on Sea 2014Gallery Art Claims Impulse, Berlin 2013Summer Dancing, Coventry 2013 

Performer: Lizzy Le Quesne


&#60;img width="3829" height="2551" width_o="3829" height_o="2551" data-src="https://freight.cargo.site/t/original/i/4ecaa0f037d0b7d0251eb5504b6bce083013aee92f1e3b57216fc0c4eca08213/330aci.jpg" data-mid="36320430" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4ecaa0f037d0b7d0251eb5504b6bce083013aee92f1e3b57216fc0c4eca08213/330aci.jpg" /&#62; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="313" height="241" width_o="313" height_o="241" data-src="https://freight.cargo.site/t/original/i/ba9b15bd069f2cef40b158ef629f477a1f77b1b946b1affa0b94a946d8668899/Image-06-03-2019-at-14.09.jpg" data-mid="36976221" border="0" data-scale="35" src="https://freight.cargo.site/w/313/i/ba9b15bd069f2cef40b158ef629f477a1f77b1b946b1affa0b94a946d8668899/Image-06-03-2019-at-14.09.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1936" height="2592" width_o="1936" height_o="2592" data-src="https://freight.cargo.site/t/original/i/4373c5b9296abd3083dcce7673274ab53e2fc8b944de36b49a2cc3e1fa42a1a4/IMG_2247---Version-2.jpg" data-mid="36320427" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/4373c5b9296abd3083dcce7673274ab53e2fc8b944de36b49a2cc3e1fa42a1a4/IMG_2247---Version-2.jpg" /&#62; &#38;nbsp;












&#38;gt; A Year’s Rest 
Mixed media performance and installation: bed of nails, movement, mirrorball, projected textWhat Now Festival, Siobhan Davies Dance Studios, London 2013 
Performer: Lizzy Le Quesne

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1555" height="1037" width_o="1555" height_o="1037" data-src="https://freight.cargo.site/t/original/i/68b6fd11b05ebf0968fca89822f2c79e06407a0db366e64c605a0d4be9c77fed/20130406-13-13-31-what_now-2300.jpg" data-mid="36320423" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/68b6fd11b05ebf0968fca89822f2c79e06407a0db366e64c605a0d4be9c77fed/20130406-13-13-31-what_now-2300.jpg" /&#62;&#38;nbsp;&#38;nbsp;

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&#38;gt; An Intricate Field 
Participatory movement meditation on connectivity and shared space. Lanchester Gallery - spilling out into the surrounding city, Coventry 2013
Performers: Jade Griffin, Hannah Grayson-Geito, Abbie Hannaby,&#38;nbsp;Leanne Holder,&#38;nbsp;Lizzy Le Quesne, Ella Tighe, members of the public


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 &#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/62b6fc8aab9349bdb2661b3cd3d97c4b4ee9a28bb87550a5f87690761e061711/IMG_9932.jpg" data-mid="36320300" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/62b6fc8aab9349bdb2661b3cd3d97c4b4ee9a28bb87550a5f87690761e061711/IMG_9932.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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&#38;nbsp;&#38;gt; Post War Space Girlsfilm and photo seriesVisualising Relationships, ICE, University of Coventry 2015
Making Space Residency, Coventry&#38;nbsp; 2013
Performers: Jade Griffin, Stephanie Townsend, Ioanna


&#60;img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9116c11e13d65bb18707a9d0ad4a9a5913160d70cddfd563bec79e91388c475a/DSC_0642.jpg" data-mid="36325778" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9116c11e13d65bb18707a9d0ad4a9a5913160d70cddfd563bec79e91388c475a/DSC_0642.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
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&#38;gt;&#38;nbsp; IncubationPerformance installation in museum vitrineHydra Museum, RICE on Hydra, Greece 2013
Performer: Lizzy Le Quesne

&#60;img width="3556" height="2232" width_o="3556" height_o="2232" data-src="https://freight.cargo.site/t/original/i/546855d66e4512254a81defd2c874e63544d3e9e68b79e1b9799042fd2f77bec/h.jpg" data-mid="36320422" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/546855d66e4512254a81defd2c874e63544d3e9e68b79e1b9799042fd2f77bec/h.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="960" height="717" width_o="960" height_o="717" data-src="https://freight.cargo.site/t/original/i/e5c89b5e3a1cdb1a132e2f9dd03095194942a2a4aa85ac201edfa0371447df85/Into-Magnificence.jpg" data-mid="36320431" border="0" data-scale="44" src="https://freight.cargo.site/w/960/i/e5c89b5e3a1cdb1a132e2f9dd03095194942a2a4aa85ac201edfa0371447df85/Into-Magnificence.jpg" /&#62;

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&#38;gt; The University of Sex &#38;nbsp;Mixed-media solo performance installation, 6 hours, 3 days: movement, images, writing, visualiser
Artside Festival, Southend on Sea 2011&#38;nbsp;
Performer: Lizzy Le Quesne




&#38;gt; people Moving people Moving peopleinteractive performance installationPlease Touch, The Old Waterworks, Southend on Sea 2010Performers: Anna Gunnardson, Lily Freeman, Colin McClean, Brian Parker, Susana Recchia, members of the public

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1946" height="1445" width_o="1946" height_o="1445" data-src="https://freight.cargo.site/t/original/i/e361abada38df5d36cd8ae45b083ff4f7fb0da89dc1a7d43341a2b4156b8ba62/Screenshot-2019-02-28-at-10.33.31.jpg" data-mid="36500728" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/e361abada38df5d36cd8ae45b083ff4f7fb0da89dc1a7d43341a2b4156b8ba62/Screenshot-2019-02-28-at-10.33.31.jpg" /&#62;









&#38;gt; Reflections on Shop Windowfilm documentary of live performanceBLOP, Arnolfini Gallery Bristol 2010Videodanza Duenos Aires 2010Old Waterworks Gallery, Southend on Sea 2010
Performers: S. Harris,Lizzy Le Quesne,&#38;nbsp; M. Pyhkaala, &#38;nbsp;L.B. , E. S.

&#60;img width="250" height="202" width_o="250" height_o="202" data-src="https://freight.cargo.site/t/original/i/20c54ac449f23f8ea0dbf4e61a6b27190c69d527664daa38850af130e95c3def/Shop-Window-05.jpg" data-mid="36325898" border="0" data-scale="100" src="https://freight.cargo.site/w/250/i/20c54ac449f23f8ea0dbf4e61a6b27190c69d527664daa38850af130e95c3def/Shop-Window-05.jpg" /&#62;&#38;nbsp;
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&#38;gt; if this my container
Lizzy Le Quesne/Patricia Woltmann - collaboration Galerie Art Claims Impulse, Berlin 2007
Performers: Lizzy Le Quesne, Patricia Woltmann
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="400" height="267" width_o="400" height_o="267" data-src="https://freight.cargo.site/t/original/i/c565bc038939a0134c9813fa02162d78d57097c14f69e1ceda67c2042fc54c07/container7.jpg" data-mid="36325905" border="0" data-scale="93" src="https://freight.cargo.site/w/400/i/c565bc038939a0134c9813fa02162d78d57097c14f69e1ceda67c2042fc54c07/container7.jpg" /&#62; &#38;nbsp; 
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&#60;img width="400" height="267" width_o="400" height_o="267" data-src="https://freight.cargo.site/t/original/i/d45d58ecda7d32d7634f3ffdbb8fd02e96571bf7bc297c313b24ef98fdd2b27e/container5.jpg" data-mid="36325903" border="0" data-scale="100" src="https://freight.cargo.site/w/400/i/d45d58ecda7d32d7634f3ffdbb8fd02e96571bf7bc297c313b24ef98fdd2b27e/container5.jpg" /&#62;










&#38;gt; Slow Delivery 2 screen film installationVillage Green Arts Festival, Southend on Sea 2010Toynbee Studios, London 2007Harbour Festival, Bristol 2006Kyoto Arts Centre, Japan 2006National Gallery of Modern Art, Prague 2006South London Shorts festival 2006 (award)Performer: Lizzy Le Quesne
Camera: Minna Pyyhkaala
Edit: Dalibor Janda
Music: The Dead Texan


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/a811997cf78e4ce24c3426f8cc50887c964f570cebff918e6a6201c091857cc5/8__--__unknown.jpg" data-mid="36325897" border="0" data-scale="32" src="https://freight.cargo.site/w/640/i/a811997cf78e4ce24c3426f8cc50887c964f570cebff918e6a6201c091857cc5/8__--__unknown.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/686fec8f6cac337d40ca55cccdde886d4bbe90931e011b4f35a97cd17c9fa01a/still5-copy.jpg" data-mid="36325678" border="0" data-scale="32" src="https://freight.cargo.site/w/640/i/686fec8f6cac337d40ca55cccdde886d4bbe90931e011b4f35a97cd17c9fa01a/still5-copy.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/3972d537b9a359d4770c816a78932e1f9a000098bb6df7d094613dfa112d413e/flow-dig-video-3..jpg" data-mid="36325676" border="0" data-scale="61" src="https://freight.cargo.site/w/640/i/3972d537b9a359d4770c816a78932e1f9a000098bb6df7d094613dfa112d413e/flow-dig-video-3..jpg" /&#62;







&#38;gt; Signing
Lizzy Le Quesne/Patricia Woltmann Galerie Art Claims Impulse, Berlin 2007; 
FU Studio Buhne, Berlin 2005Futura Gallery, Prague 2004Goethe Institute, Prague 2004Gallery Vaclav Spala, Art Prague 2004&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
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&#60;img width="400" height="266" width_o="400" height_o="266" data-src="https://freight.cargo.site/t/original/i/4d3f47ffc8e2f84ebe766dbe6cc77fa61c42c118f27bcd927666af5353467c44/signing.jpg" data-mid="46665727" border="0" data-scale="25" src="https://freight.cargo.site/w/400/i/4d3f47ffc8e2f84ebe766dbe6cc77fa61c42c118f27bcd927666af5353467c44/signing.jpg" /&#62;&#38;nbsp; &#38;nbsp;
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&#38;gt; cats - video (2006)Chez Axel, Axel Obiger Galerie, Berlin (2025)Performance, camera: Lizzy Le Quesne, Patricia Woltmann &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2384" height="1728" width_o="2384" height_o="1728" data-src="https://freight.cargo.site/t/original/i/5cd5ef9c3fc252017d1cb13abf9e9b6eff992d27f65ab3771e810badc377f15e/cats_2-Patricia-Woltmann---Lizzy-LeQuesne.jpeg" data-mid="224609538" border="0"  src="https://freight.cargo.site/w/1000/i/5cd5ef9c3fc252017d1cb13abf9e9b6eff992d27f65ab3771e810badc377f15e/cats_2-Patricia-Woltmann---Lizzy-LeQuesne.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1009" height="761" width_o="1009" height_o="761" data-src="https://freight.cargo.site/t/original/i/50d6a1908dbc0a1e643a1f4e3fe3803629e82a01ff97041f8569d943ed471750/cats_3Patricia-Woltmann---Lizzy-LeQuesne.jpg" data-mid="224609536" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/50d6a1908dbc0a1e643a1f4e3fe3803629e82a01ff97041f8569d943ed471750/cats_3Patricia-Woltmann---Lizzy-LeQuesne.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp;&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/e54723fde3777bc7590bc82c7d6f254aaa31303f0d5f59f1ea3ecd3f01227220/cats_1Patricia-Woltmann--Lizzy-LeQuesne.jpg" data-mid="224609539" border="0" data-scale="23" src="https://freight.cargo.site/w/640/i/e54723fde3777bc7590bc82c7d6f254aaa31303f0d5f59f1ea3ecd3f01227220/cats_1Patricia-Woltmann--Lizzy-LeQuesne.jpg" /&#62;

&#38;gt; Games Without FrontiersArt of Movement Festival, Yaroslavl, Russia 2003
Camera: Alexandra LermanDancers: Sandrine Harris, Lucie Klosová, Pierre Nadaud, Teresa Ondrová, Jana Sykorová

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="613" height="435" width_o="613" height_o="435" data-src="https://freight.cargo.site/t/original/i/76707ec4d4bc7e07a2363ed54f16a3f904abe8baf1e89badb7703d1985cdb1bb/Games-Without-Frontiers-filmstill-6.png" data-mid="36320420" border="0" data-scale="100" src="https://freight.cargo.site/w/613/i/76707ec4d4bc7e07a2363ed54f16a3f904abe8baf1e89badb7703d1985cdb1bb/Games-Without-Frontiers-filmstill-6.png" /&#62;&#38;nbsp;

&#60;img width="597" height="439" width_o="597" height_o="439" data-src="https://freight.cargo.site/t/original/i/565363514e9dbb150becb3f089482c55ed2ddd8518c8634214c8f5423f688946/Games-Without-Frontiers-filmstill-3.png" data-mid="36320419" border="0" data-scale="48" src="https://freight.cargo.site/w/597/i/565363514e9dbb150becb3f089482c55ed2ddd8518c8634214c8f5423f688946/Games-Without-Frontiers-filmstill-3.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;









&#38;gt; Life &#38;nbsp;FormsArt of Movement Festival, Yaroslavl, Russia 2002NoD Centre for Contemporary Art, Prague 2002Theatre Barka, Brno, Czech Republic 2002Ponec Theatre, Prague, Czech Republic 2002Dancers: Mirka Eliasova,&#38;nbsp;Sandrine Harris, Lucie Klosová, Andrea Miltnerova,&#38;nbsp;Pierre Nadaud, Teresa Ondrová, Jana Sykorová, Veronika Simkova&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/31196af32fbb5166fd50cf9c07c09e70a08f7d74f53c1847a63a00be34a28312/Life-Forms-Ponec-8-copy.JPG" data-mid="36326115" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/31196af32fbb5166fd50cf9c07c09e70a08f7d74f53c1847a63a00be34a28312/Life-Forms-Ponec-8-copy.JPG" /&#62;&#38;nbsp; 

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&#38;gt; Shop Windowlive performanceBritish Council / Galerie Vaclav Spala, Prague 2002


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&#60;img width="394" height="295" width_o="394" height_o="295" data-src="https://freight.cargo.site/t/original/i/c4cea994693f3e6343696c965b2944adad355e6b1103f18f96bc931db944bcfa/Shop-window-4.jpg" data-mid="40812619" border="0" data-scale="100" src="https://freight.cargo.site/w/394/i/c4cea994693f3e6343696c965b2944adad355e6b1103f18f96bc931db944bcfa/Shop-window-4.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;






&#38;gt; The Castle&#38;nbsp;
Prague Castle
Tanec Praha festival 2002
Performers: Lizzy Le Quesne,&#38;nbsp;Pierre Nadaud &#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/1795b7c6260edf0d2999d1df414031f6d27d0cdc1d2b6d48b64c61706a00bc37/castle-7.jpg" data-mid="38889474" border="0" data-scale="57" src="https://freight.cargo.site/w/800/i/1795b7c6260edf0d2999d1df414031f6d27d0cdc1d2b6d48b64c61706a00bc37/castle-7.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="779" height="581" width_o="779" height_o="581" data-src="https://freight.cargo.site/t/original/i/e6c83bcde04cf3a5d25db0a3016ecc3d2e0406fc691fdb641d144a38b24e6c0b/Castle-12.jpg" data-mid="38889370" border="0" data-scale="36" src="https://freight.cargo.site/w/779/i/e6c83bcde04cf3a5d25db0a3016ecc3d2e0406fc691fdb641d144a38b24e6c0b/Castle-12.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="777" height="582" width_o="777" height_o="582" data-src="https://freight.cargo.site/t/original/i/67570cd150a27726008404b9b5ed6fc5875bd10ca218708b2d0ceb121716fd07/Castle-10.jpg" data-mid="38889470" border="0" data-scale="36" src="https://freight.cargo.site/w/777/i/67570cd150a27726008404b9b5ed6fc5875bd10ca218708b2d0ceb121716fd07/Castle-10.jpg" /&#62;

&#60;img width="778" height="586" width_o="778" height_o="586" data-src="https://freight.cargo.site/t/original/i/26ca86028e0a9d9e127d673f38f339b1e18c50b137dea05395e8c98d16c6dad9/Castle-11.jpg" data-mid="38889504" border="0" data-scale="72" src="https://freight.cargo.site/w/778/i/26ca86028e0a9d9e127d673f38f339b1e18c50b137dea05395e8c98d16c6dad9/Castle-11.jpg" /&#62;











&#38;gt; The Marble Palace&#38;nbsp;
Lichenstein Palace, HAMU, Prague 2002
British Council Prague
Performer: Lizzy Le Quesne

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1184" height="888" width_o="1184" height_o="888" data-src="https://freight.cargo.site/t/original/i/5d95cf7d69880cf69b89333efc4b50d24ed9113c18289539c183652215d2836a/P6115363c3A.jpg" data-mid="36886843" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/5d95cf7d69880cf69b89333efc4b50d24ed9113c18289539c183652215d2836a/P6115363c3A.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
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&#38;nbsp; 
&#38;nbsp; 

&#38;nbsp;
&#38;nbsp;&#38;nbsp;






&#38;gt; Skylight
NoD Centre for Contemporary Art, Prague, 2003Theatre Barka, Brno, Czech Republic 2003Tyrsuv Dum, Prague 2002
Ponec Theatre, Prague 2002, 2001Cimelice Chateau, Czech Republic 2001 Dancers: Sandrine Harris,&#38;nbsp;Andrea Miltnerova



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/1fbd1216be2de62ff9b3b6bd0f2f51a5457ac5a57d85768a573a48d59d40f9e9/Skylight_Cimelice-2.jpg" data-mid="36325539" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/1fbd1216be2de62ff9b3b6bd0f2f51a5457ac5a57d85768a573a48d59d40f9e9/Skylight_Cimelice-2.jpg" /&#62;&#38;nbsp;

 &#38;nbsp;&#60;img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/1d0dc048e5f1aab57be1d08a4b8f5c374a5582a6566f9b6d59013577a55415d5/Skylight_Cimelice-1.jpg" data-mid="36325975" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1d0dc048e5f1aab57be1d08a4b8f5c374a5582a6566f9b6d59013577a55415d5/Skylight_Cimelice-1.jpg" /&#62;
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&#60;img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/ae72eb711bee5adc6652b9111a0a342ff2a7f8dca29f76cc8c115175df614c95/Skylight-1.jpg" data-mid="36325977" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/ae72eb711bee5adc6652b9111a0a342ff2a7f8dca29f76cc8c115175df614c95/Skylight-1.jpg" /&#62;








&#38;gt; The Girl in the MirrorCon Tempo, Duncan Centre, Prague 2001
Dancers: Duncan Centre Conservatoire of Modern Dance, final year students


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9b5f74acda0c05b85004e2e505e657b345b76836d9933c3a3c376b671f07b05a/IMG_0764.jpg" data-mid="36326107" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/9b5f74acda0c05b85004e2e505e657b345b76836d9933c3a3c376b671f07b05a/IMG_0764.jpg" /&#62;&#38;nbsp; &#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fb7057d74005433479353ab47d9a2a0e482f15bf5acfc32edeed7fc514f8496f/IMG_0765.jpg" data-mid="36326116" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/fb7057d74005433479353ab47d9a2a0e482f15bf5acfc32edeed7fc514f8496f/IMG_0765.jpg" /&#62;











&#38;gt; In-Tension 
Trio dance with set of taught stringCultureel Centrum TerDilft, Belgium 2000 (International award winner)Almada Festival, Lisbon, Portugal 2000The Place Theatre, London 1999, 2000ArtHaven Gallery, Exeter 2000Gallery Westland Place, London 2000Rhyn Park Arts Centre, Oswestry UK, 2000New Works Festival 1998Phoenix Arts Centre, Leicester &#38;nbsp;1998Laban Theatre, London 1998Dancers: Melanie Clarke/Darlene Stevens/Patricia Woltmann, Lizzy Le Quesne, Marion Ramirez

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&#38;gt; Movement in Relation to Edges
Performance installation with colour planes by Nick Gilbert-ScottArtHaven Gallery, Exeter 2000Gallery Westland Place, London 2000Dancers: Lizzy Le Quesne, Marion Ramirez, Patricia Woltmann


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&#38;nbsp;&#38;gt; Songs of Love and Death
Dances with Czech folk songs&#38;nbsp;The Hackney Empire, London 1998Jackson’s Lane Arts Centre, London 1997 The Place Theatre, London 1997Dancers: M. Brach, Deborah B, Lizzy Le Quesne
Live Music: Beskydy
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="2939" height="4030" width_o="2939" height_o="4030" data-src="https://freight.cargo.site/t/original/i/fbf65f921731e64cece6e6f9c5eefcfec912da7fac30a344ddf17acc91eb0431/IMG_0753.jpg" data-mid="36326117" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/fbf65f921731e64cece6e6f9c5eefcfec912da7fac30a344ddf17acc91eb0431/IMG_0753.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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&#38;gt; Dido and Aeneas

Dance-Opera production of Henry Purcell’s Dido and Aeneas, arr. Jaques Van Rhijn&#38;nbsp;Hackney Empire, London 1996






&#38;gt; The Seven Deadly Sins	
			 Dance Opera by Bertolt Brecht and Kurt WeillFull orchestra, choral and danced production Anna l (singer - Esther Stevens) and Anna ll (dancer- Lizzy Le Quesne)Bloomsbury Theatre, London 1995

Hackney Empire, London 1994 Britten Theatre, RCM London 1994
&#60;img width="481" height="585" width_o="481" height_o="585" data-src="https://freight.cargo.site/t/original/i/5d59980103cc3b42ca2c484637e4455183e1a3c21fe667c295f8c69277002a72/IMG_0919.jpeg" data-mid="42742735" border="0" data-scale="73" src="https://freight.cargo.site/w/481/i/5d59980103cc3b42ca2c484637e4455183e1a3c21fe667c295f8c69277002a72/IMG_0919.jpeg" /&#62;







&#38;gt; Venus
Dance Opera. John Blow: Venus and Adonis, arr. Jaques Van RhijnHackney Empire, London 1994 Bloomsbury Theatre, London 1995

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/818d000b6a5957e046dffe598e45b63199d58d96b8674c40680aef30fe83d06b/IMG_0786-2.jpg" data-mid="36326106" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/818d000b6a5957e046dffe598e45b63199d58d96b8674c40680aef30fe83d06b/IMG_0786-2.jpg" /&#62;





&#38;gt; The Master and Margarita
Opera by Darryl WayThe Place Theatre, London 1995






&#38;gt; Bitter Moon
Physical Theatre play by Emma BensonUnion Theatre, London 1995






&#38;gt; Showgirl, Hideaway and Lady
Sallis Benney Theatre Brighton 1990Zap Club Brighton 1990



Artist ResidenciesMaking Space, Decoda UK / Coventry University 2012, 2015 R.I.C.E. on Hydra, Greece 2014; 2013The Old Waterworks Gallery, Southend on Sea 2014 Coventry University 2013 Gallery Art-Claims-Impulse, Berlin 2007 FU StudioBuhne, Berlin 2004

Futura Gallery Prague 2003&#38;nbsp;
Geothe Institute Prague 2002British Council / Academy of Arts, Prague 2001-2002 Duncan Centre Conservatoire of Modern Dance Prague 2001Jacob’s Pillow, USA 20</description>
		
	</item>
		
		
	<item>
		<title>writing, research, broadcast</title>
				
		<link>https://lizzylequesne.com/writing-research-broadcast</link>

		<pubDate>Mon, 18 Feb 2019 01:20:37 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/writing-research-broadcast</guid>

		<description>research - writing - broadcast



&#38;gt;&#38;gt; The Post-Somatic Dance of DesireChapter in The Routledge Companion to Dance and Somatics.  Edited by Whatley, S., Meehan, E. &#38;nbsp;Routledge (in process - published 2026).

 &#38;gt;&#38;gt;Tracing Embodied Forces of Innocence and Love Chapter in The Routledge Companion to Dance and Somatics.  Edited by Whatley, S., Meehan, E. &#38;nbsp;Routledge (in process, co-authored with Rosemary Lee).


&#38;gt;&#38;gt; Sondra Fraleigh: Somatics in Dance, Ecology and Ethics
Journal of Dance and Somatic Practices, Vol 17, 2. (2026 – in process).&#38;nbsp;
 

&#38;gt;&#38;gt; Feeling and Becoming: Towards a Post-Somatic Dance
PhD Thesis&#38;nbsp;

Centre for Dance Research, Coventry University (2025)Funded by AHRC, M4C Full Scholarship




&#38;gt;&#38;gt; Skinner
Releasing Technique and the Autonomic Nervous System: Processes of nurturing embodied experiences of
safety and freedom Master of Arts by Research Centre for Dance Research, Coventry University (2021)Funded by AHRC, M4C Full Scholarship
https://pureportal.coventry.ac.uk/en/studentTheses/skinner-releasing-technique-and-the-autonomic-nervous-system




&#38;gt;&#38;gt;&#38;nbsp;

Secretly Alive: Embodied Perspectives on Dance Improvisation (eds Rais, Eliasova, Le Quesne. NAMU, 2024)
Book, published in separate Czech and English versions, and a dual language box set.
 &#38;nbsp;&#60;img width="500" height="713" width_o="500" height_o="713" data-src="https://freight.cargo.site/t/original/i/e9e1f98f9c838c6bb3e4f594eadb5e61668f7b740f453e03cd93e2f327b71249/Secretly-Alive-English-cover.jpg" data-mid="233235541" border="0" data-scale="45" src="https://freight.cargo.site/w/500/i/e9e1f98f9c838c6bb3e4f594eadb5e61668f7b740f453e03cd93e2f327b71249/Secretly-Alive-English-cover.jpg" /&#62; &#38;nbsp;&#60;img width="500" height="588" width_o="500" height_o="588" data-src="https://freight.cargo.site/t/original/i/09debb9f577ca261b5ac627d83543dd370e07e190b37b1bdd3e9828e10242166/Secretly-Alive---Tajne-nazivu-bookset-image.jpg" data-mid="233235538" border="0" data-scale="51" src="https://freight.cargo.site/w/500/i/09debb9f577ca261b5ac627d83543dd370e07e190b37b1bdd3e9828e10242166/Secretly-Alive---Tajne-nazivu-bookset-image.jpg" /&#62;

https://namu.cz/secretly-alive#:~:text=In%20Secretly%20Alive%2C%20dance%20artists,%2C%20Authorial%20and%20Creative%20Principle'.





&#38;gt;&#38;gt; Some Ways Dance Improvisation is Political Enquiry (2024, NAMU, Prague).

Chapter in Secretly Alive: Embodied Perspectives on Dance Improvisation (eds Rais, Eliasova, Le Quesne, 2024)



&#38;gt;&#38;gt; Manifesting Dance: Homecoming, Expansion and a New Frame for Dance


2021

 Triarchy Press, UK

Chapter in Skinner Releasing Technique - A Movement and Dance Practice A. Emslie (Ed). 


 
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/e22f05af4abbbd35aaf87b9a90f66a797ccb972f8eabb1f5e7652ba9baf33068/SRT-Book-Front-cover.jpeg" data-mid="112015815" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/e22f05af4abbbd35aaf87b9a90f66a797ccb972f8eabb1f5e7652ba9baf33068/SRT-Book-Front-cover.jpeg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a6f136300cc9c7e86299228193f6084908e9af4dffdb3ccc208d6d2576e66b7a/SRT-book-back-cover.jpeg" data-mid="112015814" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/a6f136300cc9c7e86299228193f6084908e9af4dffdb3ccc208d6d2576e66b7a/SRT-book-back-cover.jpeg" /&#62;

https://blackwells.co.uk/bookshop/product/Skinner-Releasing-Technique-by-Manny-Emslie-editor/9781913743291

Reviewed by Collinson, P. (2022). Choreographic Practices, 13(1), 123-126. 10.1386/chor_00045_5&#38;nbsp;

&#38;gt;&#38;gt; An Intricate Field - In search of freedom and togetherness: inter-subjectivity and materiality in shared space 

2015&#38;nbsp; Triarchy Press, UK



Chapter - in Attending to Movement: Somatic Perspectives on Living in the World Whatley, Garret-Brown, Alexander, (Ed.s)

 &#38;nbsp;
&#60;img width="332" height="500" width_o="332" height_o="500" data-src="https://freight.cargo.site/t/original/i/cfea352d43bf6195e00a2491deee3ff4daa283f29a4ef586285733a227331483/cover-image_.jpg" data-mid="112016667" border="0" data-scale="56" src="https://freight.cargo.site/w/332/i/cfea352d43bf6195e00a2491deee3ff4daa283f29a4ef586285733a227331483/cover-image_.jpg" /&#62;
http://www.triarchypress.net/attending-to-movement.html


 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;



&#38;gt;&#38;gt; Skinner Releasing Technique and the Autonomic Nervous System: Nurturing
embodied experiences of safety and freedom through somatic dance (2025), Kyiv, Ukraine. 


Ist International Scientific and Practical Conference - Personality as a
Space for Challenging and Forming Culture (Under Martial Law). May 15-17, 2025. Ministry of Education and Science of Ukraine, Kyiv Academy of Circus and
Variety Arts, Association of Dance Movement Therapists of Ukraine&#38;nbsp;
&#38;gt;&#38;gt; Thinking-Feeling Desire in the Now: post-capitalist desire and practices of the body (2023) London, UK

LCCT The London Conference of Critical Thought (2023)
Stream of 3 panels involving participatory workshops and paper presentations from international speakers 30.06-1.07.2023&#38;nbsp;
https://static1.squarespace.com/static/64468fe2aea4fc6800606b62/t/6495bc934de0b300de56d5ac/1687534741257/LCCT+2023+Long+Programme+-+v3.pdf

&#38;gt;&#38;gt; PostWar Space Girls: urban space, girls and the abjectBody&#38;gt;Space&#38;gt;Memory - Visualising Relationships - Symposium, Coventry University (2015)


Film - public space performance research




&#38;gt;&#38;gt; An Intricate Field Conference of Dance and Somatic Practices, Coventry University (2013) 
Choreographic intervention into public space

&#38;gt;&#38;gt; A dance practice of ‘choreographic improvisation’: interview with Rosalind Crisp 
Mirka Eliášová, Lizzy Le Quesne, Mish RaisIndependent Dance’s Digital Library (2022)  https://independentdance.co.uk/library/a-dance-practice-of-choreographic-improvisation-interview-with-rosalind-crisp/






&#38;gt;&#38;gt; Improvisation as practicing trust : interview with Julyen Hamilton Theatralia, Vol.26, No.2 (2023)Eliasova, Hamilton,Le Quesne, Rais &#38;nbsp;https://doi.org/10.5817/TY2023-2-12





&#38;gt;&#38;gt; Two Women: Breathing Life into Lifehttps://choreographnet (2023)
substack.com/p/two-women-breathing-life-into-life?utm_source=%2Fsearch%2Fle%2520quesne&#38;amp;utm_medium=reader2









&#38;gt;&#38;gt; Learning to Dance in the 21st Century: Skinner Releasing Technique as Technology of Becoming, in a New Materialist Frame 
Journal of Dance and Somatic Practices. Issue 10.1 Pedagogy and Process: Somatic Informed Education in a Postmodern Era’ (2018)

https://www.ingentaconnect.com/contentone/intellect/jdsp/2018/00000010/00000001/art00007





&#38;gt;&#38;gt; The Reach for Presence	 


Afterall Journal Online (2010)&#38;nbsp; &#38;nbsp;

http://www.afterall.org/online/the-reach-for-presence

&#38;gt;&#38;gt; Improvisation as a Choreographic, Authorial and Creative Principle 
International research project with Academy of Performing Arts in Prague, Czech Republic&#38;nbsp; - with Mirka Eliasova and Mish Rais 2020-2023 Funded by Academy of Performing Arts in Prague and DKR Endowment provided by the Ministry of Education, Youth and Sports of the Czech Republic

https://independentdance.co.uk/library/a-dance-practice-of-choreographic-improvisation-interview-with-rosalind-crisp/
&#38;gt;&#38;gt; Skinner Releasing Technique and the Autonomic Nervous System: Nurturing Embodied Experiences of Safety and Freedom

Skinner releasing technique and the autonomic nervous system: initial discoveries on processes of nurturing embodied experiences of safety and freedom




&#38;gt; &#38;gt; Two Women - Breathing Life into LifeMoving and being moved: a poetic response to improvised performance ‘A Revealed Study’ by Franziska Boehm and Serena RuthChoreographnet 2023
https://choreographnet.substack.com/p/two-women-breathing-life-into-life fbclid=IwAR3E4tzVHC_aSIA20wE_5cHuWljPaX5Vuk9HaqrmaQo1h_gvoT_rvUtkWIU



&#38;gt;&#38;gt; ‘The Soft Rebellion’, Podcast 2024

Effortless effort: Healing and embodied presence through dance - with Lizzy Le Quesne. • The Soft Rebellion Podcast


&#38;gt;&#38;gt; ‘Dance Education in the 21st Century’ ,&#38;nbsp; CNADE Podcast 2021
 https://hubhopper.com/episode/reaching-dancers-unconscious-experience-through-the-skinner-releasing-technique-a-conversation-with-a-phd-in-dance-research-candidate-1633952639

&#38;gt;&#38;gt; Becoming Spongey, movement class, Inkling Room, Netil Radio 2021
 https://soundcloud.com/inklingroom/movement-class-winklingroom-presents-lizzy-le-quesne-and-wash-electra-oc



&#38;gt;&#38;gt; Nervous Systems: incessant feeling states and dance as lifeDisability Arts Online, July 2019
https://disabilityarts.online/magazine/opinion/nervous-systems-incessant-feeling-states-and-dance-as-life/



&#38;gt;&#38;gt; Art Penetrates Life: Rosemary Lee’s Square Dances, Dance Umbrella 2012
People Dancing: The Foundation for Community Dance, Spring/Summer 2012


https://www.communitydance.org.uk/DB/animated-library/art-penetrates-life?ed=28503

&#38;gt;&#38;gt; What is a feminist now? Consumerism, capitalism, class and the body

Umulec International, Divus 2010/2

http://divus.cc/london/en/article/what-is-a-feminist-now-consumerism-capitalism-class-and-the-body


&#38;gt;&#38;gt; Welcome to the Free World.&#38;nbsp; Productive squabbling at Authentic Structures Authentic Structures symposium on art in post communist Eastern Europe, Prague 2004


Umulec International, Divus 2004/4


http://divus.cc/london/en/article/welcome-to-the-free-world





&#38;gt;&#38;gt; Goshka Macuga: The Nature of the BeastUmulec International, Divus 2010/1



http://divus.cc/london/en/article/goshka-macuga-the-nature-of-the-beast-whitechapel-gallery-london





&#38;gt;&#38;gt; Dance as Medicine, Chisenhale Dance Space 2017
&#38;gt;&#38;gt; Memory at Work, Independent Dance 2016

&#38;gt;&#38;gt; Reading Dance, 

 Czech Dance Platform Prague 2015

&#38;gt;&#38;gt; Meaning and Movement, 

Dancing Oxford Festival, 2014


&#38;gt;&#38;gt; 



 On Taking Care: Rosemary Lee’s Common Dance 

(DVD) Rescen 2012

&#38;gt;&#38;gt; Childbirth and Dance,
Resonance FM (radio) 2011 

&#38;gt;&#38;gt; 

 Writers’ Response, What If? Festival, 

Siobhan Davies Studios 2010

&#38;gt;&#38;gt; 

 
Movement and Meaning, 

Siobhan Davies Studios 2010

&#38;gt;&#38;gt; Dance and Performance Art - The Great Divide, Summer Dancing Festival, Coventry 2009




arts, dance, culture magazines and newspapers:&#38;gt;&#38;gt; Afterall;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Animated;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; Ballet International;&#38;nbsp; &#38;gt;&#38;gt; Ballet-Tanz;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Contemporary;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; Choreograph.net;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Dance Magazine USA;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Dance Theatre Journal;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Disability Arts Online;&#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; Flash Art;&#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Journal of Dance and Somatic Practices;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; State of Art;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; Tanz;&#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; TanecniZona;&#38;nbsp; &#38;nbsp;&#38;gt;&#38;gt; Time Out Guides (Prague) &#38;gt;&#38;gt; Umelec International&#38;nbsp; &#38;gt;&#38;gt; Artist and arts festival catalogue;

&#38;gt;&#38;gt; Prague Post (art and dance reviews 2001-2007); &#38;gt;&#38;gt; Lidove Noviny; &#38;gt;&#38;gt; Central Europe Review; &#38;gt;&#38;gt; Transitions Online; &#38;gt;&#38;gt; Intelligent Lif &#38;nbsp;
&#60;img width="322" height="500" width_o="322" height_o="500" data-src="https://freight.cargo.site/t/original/i/a8f715e4e6dff4221fde0b573ae2c8b34d25c159965f0cb4d450d87b62796a25/Time-Out-Guide-cover-2002.jpg" data-mid="112026744" border="0" data-scale="20" src="https://freight.cargo.site/w/322/i/a8f715e4e6dff4221fde0b573ae2c8b34d25c159965f0cb4d450d87b62796a25/Time-Out-Guide-cover-2002.jpg" /&#62;


editing:

&#38;gt;&#38;gt; Tanecni Zona / Dance Zone -&#38;nbsp;print quarterly magazine, Czech Republic. 2001-2005 (acting editor in chief 2003-2004)&#38;nbsp; &#38;nbsp;http://www.tanecnizona.cz/

&#38;gt;&#38;gt; Konfrontace/ Confrontations performance festival catalogues 2001, 2002&#38;gt;&#38;gt; Duncan Centre Conservatoire 10 Years Anniversary brochure 2002
&#38;gt;&#38;gt; Skype Dialogues - with Frank Bock. What Now festival. Siobhan Davies Dance Studios 2013&#38;nbsp;

https://vimeo.com/user1755486

</description>
		
	</item>
		
		
	<item>
		<title>teaching</title>
				
		<link>https://lizzylequesne.com/teaching</link>

		<pubDate>Mon, 18 Feb 2019 00:47:45 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/teaching</guid>

		<description>teaching and lecturing





Certified to teach 

Skinner Releasing Technique (SRT) at Introductory and Ongoing levels, I teach somatic process and SRT as access to new subtleties of feeling, allowing, clarity, autonomy and resonance.&#38;nbsp; Through creative experimentation, touch, and poetic imagery explored in deeply relaxed expanded states of consciousness, SRT supports the letting go of unnecesary habitual holding patterns and cultivates technical and kinaesthetic skills to support all forms of dance and, ultimately, the “dance of life” (Joan Skinner 2006). 

I teach professional dancers, in conservatoires and universities, dance teachers, in communities and in arts-and-health, both locally and internationally.





&#60;img width="2000" height="1000" width_o="2000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b48f9c05054d85133f602394ab9df37cf20a5d4fbb721d114ae031b8e03adaca/img.jpg" data-mid="35649966" border="0"  src="https://freight.cargo.site/w/1000/i/b48f9c05054d85133f602394ab9df37cf20a5d4fbb721d114ae031b8e03adaca/img.jpg" /&#62;
SRT intensive, Kinitiras, Athens, Greece 2018

I aim to develop a heightened creative sense of awareness, freedom and presence;&#38;nbsp; safe, empowering and sustainable technical skills;&#38;nbsp;&#38;nbsp;enact somatic encounter between inner and outer worlds; enlist the articulate body into dialogue with space, desire, personal history and the world; and support the dancer towards sensitive embodied agency and play - in a deeply embedded relationality.










BA, MA, MFA&#38;nbsp;teaching - Skinner Releasing Technique, Choreography,&#38;nbsp; Somatics, Critical Theory, and individual project supervision:HZT University of the Arts, Berlin
Central School of Ballet, LondonGoldsmiths College, London


Trinity Laban Conservatoire, London


HAMU Academy of Performing Arts, Prague 





Brighton University 

London Metropolitan University&#38;nbsp;





Duncan Centre Conservatoire for Modern Dance Prague &#38;nbsp;

London Studio Centre University of SurreyBath Spa UniversityCoventry University




Professional Dancers - Skinner Releasing Technique: 
Tanzfabrik, BerlinIndependent Dance, London&#38;nbsp;Candoco Dance CompanyKinitiras, Athens, Greece&#38;nbsp;Ballet RambertTripSpace Projects&#38;nbsp;R.I.C.E. on Hydra, Greece

Disability Arts Shropshire Amici Dance Theatre





Community Classes / Arts and Health / Arts for Social Change - Skinner Releasing Technique, Creative Movement, Somatic movement therapy:
Movement for Non-Movers, Healthy Generations, London 
Intercultural Roots, London 
Goldsmiths College&#38;nbsp;
The Silk Mill, Frome

The Campsbourne, London&#38;nbsp;

Conway Hall, London&#38;nbsp;London School of Contemporary Dance&#38;nbsp;Chisenhale Dance Space&#38;nbsp;&#38;nbsp;Ballet in Small Spaces, Oxford




Lunas Dance

Shrewsbury Intergenerational Arts 


&#38;nbsp;

Islington Arts Factory&#38;nbsp;




Skinner Releasing Technique, Greece 2014 from Lizzy Le Quesne on Vimeo.




Skinner Releasing Technique - SRT Teaser from Lizzy Le Quesne on Vimeo.


Listen to a movement class on Inklingroom, Netil radio. 
Introduction of concepts and imagery from SRT:
&#60;img width="500" height="261" width_o="500" height_o="261" data-src="https://freight.cargo.site/t/original/i/34570dea216d3892a569bd2405c11a354d7c26815583844c0b36a336282068c1/539B3C43-4E8D-4231-B8AB-388514D319AC_4_5005_c.jpeg" data-mid="124135866" border="0"  src="https://freight.cargo.site/w/500/i/34570dea216d3892a569bd2405c11a354d7c26815583844c0b36a336282068c1/539B3C43-4E8D-4231-B8AB-388514D319AC_4_5005_c.jpeg" /&#62;
https://soundcloud.com/inklingroom/movement-class-winklingroom-presents-lizzy-le-quesne-and-wash-electra-oc?fbclid=IwAR2m9ogEB-z2GM9B2Gevoqyv3D6-yyCxZYrtAVAXc1LxOJVPApvZN82lrAM



&#60;img src="https://d3t3ozftmdmh3i.cloudfront.net/production/podcast_uploaded_nologo400/1090189/1090189-1633657702647-0ee020257debe.jpg?s=hh-web-app"&#62;

CNADE Podcast - Dance Education in the 21st Centrury - interview with Lizzy: Reaching Dancers’ Unconscious Experience through the Skinner Releasing Technique
https://hubhopper.com/episode/reaching-dancers-unconscious-experience-through-the-skinner-releasing-technique-a-conversation-with-a-phd-in-dance-research-candidate-1633952639







</description>
		
	</item>
		
		
	<item>
		<title>performance</title>
				
		<link>https://lizzylequesne.com/performance</link>

		<pubDate>Tue, 26 Feb 2019 13:51:35 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/performance</guid>

		<description>performance with and in works by other artists

&#38;gt;&#38;gt; 


Lizzy Le Quesne / Carolyn Roy / Margarita Zafrilla-Olayo:&#38;nbsp;
Dancing on the Edge #1with paintings by Pato BosichThree Highgate Gallery, London 2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="250" height="441" width_o="250" height_o="441" data-src="https://freight.cargo.site/t/original/i/e9e3bcae2953ebd8dbb5dd053722b2e5d7416a371312a37434b5635c5f7613dd/IMG_0503.jpg" data-mid="141169241" border="0" data-scale="33" src="https://freight.cargo.site/w/250/i/e9e3bcae2953ebd8dbb5dd053722b2e5d7416a371312a37434b5635c5f7613dd/IMG_0503.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#38;gt;&#38;gt; Amalia Pica: JOY -&#38;nbsp;Procession for Eightteen Wellcome Collection, London 2021&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/c5a3ed58af4ee56aa18423e9145b763d40649c43a9cb1a7cceca6ca70f047554/20211120_150915.jpg" data-mid="141170485" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/c5a3ed58af4ee56aa18423e9145b763d40649c43a9cb1a7cceca6ca70f047554/20211120_150915.jpg" /&#62;






&#38;gt;&#38;gt; Oreet Ashery: 

Misbehaving Bodies -&#38;nbsp;

Do You Consider Yourself Healthy? Wellcome Collection, London 2019-2020
photo © Persilia Caton 


&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/308998c1cdc1456fdb93b35ed26b9018b90d42aa9a4fc9e7e0d52397d07fa549/ada9add1-87b1-4f53-91ed-d8bf73079c55_4k_EP_001152_0030.jpg" data-mid="57560174" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/308998c1cdc1456fdb93b35ed26b9018b90d42aa9a4fc9e7e0d52397d07fa549/ada9add1-87b1-4f53-91ed-d8bf73079c55_4k_EP_001152_0030.jpg" /&#62;


&#38;gt;&#38;gt; Margarita Zafrilla-Olayo: T/ILTING VERTICALITIES
 Museo &#38;nbsp;MACRO, Rome 2019

&#60;img width="509" height="280" width_o="509" height_o="280" data-src="https://freight.cargo.site/t/original/i/b735136effc5a239b43922fbcfc28750421fe78df8030bf52d33e0b300358e42/Image-18-11-2019-at-15.22.jpg" data-mid="55624770" border="0" data-scale="83" src="https://freight.cargo.site/w/509/i/b735136effc5a239b43922fbcfc28750421fe78df8030bf52d33e0b300358e42/Image-18-11-2019-at-15.22.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="509" height="243" width_o="509" height_o="243" data-src="https://freight.cargo.site/t/original/i/f1f2d98bf351cdef21a3dabebfe7df69f166c1ad3228b00365a6f31b8cedf8d5/Image-18-11-2019-at-15.21.jpg" data-mid="55624788" border="0" data-scale="100" src="https://freight.cargo.site/w/509/i/f1f2d98bf351cdef21a3dabebfe7df69f166c1ad3228b00365a6f31b8cedf8d5/Image-18-11-2019-at-15.21.jpg" /&#62;







&#38;gt;&#38;gt; Carolyn Roy: Companionship ScoresSiobhan Davies Dance Studios, London 2018
photo © &#38;nbsp;Sarah Dobai

&#60;img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/230238ba91ebf900858800d3ee042cc326e040caf4b91ebde23f489688312c57/Carolyn-Roy-Companionship-Scores-6.jpeg" data-mid="89996247" border="0" data-scale="91" src="https://freight.cargo.site/w/500/i/230238ba91ebf900858800d3ee042cc326e040caf4b91ebde23f489688312c57/Carolyn-Roy-Companionship-Scores-6.jpeg" /&#62;

&#60;img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/24cb991e214111910a53524ca713a765f1cd69629fc8916dfeb485bbd2c258af/Carolyn-Roy-Companionship-Scores-5.jpeg" data-mid="89996249" border="0" data-scale="63" src="https://freight.cargo.site/w/500/i/24cb991e214111910a53524ca713a765f1cd69629fc8916dfeb485bbd2c258af/Carolyn-Roy-Companionship-Scores-5.jpeg" /&#62;&#60;img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/32e8ccb76861d66465447ccfa2e0e80c8c9d392f790fe06b9a2aa005a49fc1ad/Carolyn-Roy-Companionship-Scores-7.jpeg" data-mid="89996245" border="0" data-scale="88" src="https://freight.cargo.site/w/500/i/32e8ccb76861d66465447ccfa2e0e80c8c9d392f790fe06b9a2aa005a49fc1ad/Carolyn-Roy-Companionship-Scores-7.jpeg" /&#62;


&#38;gt;&#38;gt; Stefan Jovanović: Velvet FoolsLondon 2017, 2018
photo © Camilla Greenwell 

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="480" height="480" width_o="480" height_o="480" data-src="https://freight.cargo.site/t/original/i/989fe486ca292c0ff94333937164b4adb3ec96cb5c633702babd0f53e9e7d41d/24845651_305149629993617_7003968736281493504_n.jpg" data-mid="36329839" border="0" data-scale="69" src="https://freight.cargo.site/w/480/i/989fe486ca292c0ff94333937164b4adb3ec96cb5c633702babd0f53e9e7d41d/24845651_305149629993617_7003968736281493504_n.jpg" /&#62;

&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1988" height="1326" width_o="1988" height_o="1326" data-src="https://freight.cargo.site/t/original/i/d9b24d13f4c6bac5ae98bcc0ab0ea9877d439144f6231399844ad0c02dc3172a/_DSC9261.jpg" data-mid="36586336" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/d9b24d13f4c6bac5ae98bcc0ab0ea9877d439144f6231399844ad0c02dc3172a/_DSC9261.jpg" /&#62;






&#38;gt;&#38;gt; Florence Peake: My Horizontal PleasureBosse &#38;amp; Baum, London 2017
photo © Anne Tetzlaff
&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="427" height="640" width_o="427" height_o="640" data-src="https://freight.cargo.site/t/original/i/a07a03f387936581bd10b9c8f3a8714478c0bcf8460af78c8bf9621a6e2c4fb6/KATYE-COE.jpg" data-mid="36329842" border="0" data-scale="63" src="https://freight.cargo.site/w/427/i/a07a03f387936581bd10b9c8f3a8714478c0bcf8460af78c8bf9621a6e2c4fb6/KATYE-COE.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2837be460cb7f1eaef32196636f2586f984bfc2a6c72fc1f8e658a06db42430f/PHOTO-CREDIT--ANNE-TETZLAFF_DSC8387.jpg" data-mid="36329840" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/2837be460cb7f1eaef32196636f2586f984bfc2a6c72fc1f8e658a06db42430f/PHOTO-CREDIT--ANNE-TETZLAFF_DSC8387.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/3025e518e6c6405cae4c7e692e8d627331e549dbe6a4fba0c0477f762ec6f674/Image-10-02-2019-at-11.20.jpg" data-mid="37507622" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/3025e518e6c6405cae4c7e692e8d627331e549dbe6a4fba0c0477f762ec6f674/Image-10-02-2019-at-11.20.jpg" /&#62;


&#38;nbsp; &#38;nbsp;&#38;nbsp;




&#38;gt;&#38;gt; Dog Kennel Hill Project: Messages from the FieldSiobhan Davies Dance Studios 2017
photo @ video stills by DKHP
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1908" height="1076" width_o="1908" height_o="1076" data-src="https://freight.cargo.site/t/original/i/b678ca989b237a3704dfb776d4a983d755201eb986018cabd4084e8905b9e2d3/-Be5GTaQ.jpg" data-mid="37710515" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/b678ca989b237a3704dfb776d4a983d755201eb986018cabd4084e8905b9e2d3/-Be5GTaQ.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#38;nbsp;&#60;img width="2222" height="1246" width_o="2222" height_o="1246" data-src="https://freight.cargo.site/t/original/i/a3119d81dd69af7e4bf9695ab5226202dfd52848c6f18c632ccf325353cb3a3c/iXOuSmiA.jpg" data-mid="37710550" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/a3119d81dd69af7e4bf9695ab5226202dfd52848c6f18c632ccf325353cb3a3c/iXOuSmiA.jpg" /&#62;





&#38;gt;&#38;gt; Space and Words Collective: Space and WordsMultiOv Festival, London 2016
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="640" height="358" width_o="640" height_o="358" data-src="https://freight.cargo.site/t/original/i/a3e0661dfd0c7b9538ad6320f921e42f787125733fa1f95b1d35ad0d3a6e5c01/61d6e16c98b8d940719f116a73610259.jpeg" data-mid="42739784" border="0" data-scale="76" src="https://freight.cargo.site/w/640/i/a3e0661dfd0c7b9538ad6320f921e42f787125733fa1f95b1d35ad0d3a6e5c01/61d6e16c98b8d940719f116a73610259.jpeg" /&#62;





&#38;gt;&#38;gt; Florence Peake: RemakeWhitechapel Gallery, London 2016


&#60;img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/3d37ce99f27f380c1c597431d975c9a86f34d00eeb38a4597294d1dae5898b33/1609552308330blob.jpeg" data-mid="93667020" border="0" data-scale="52" src="https://freight.cargo.site/w/720/i/3d37ce99f27f380c1c597431d975c9a86f34d00eeb38a4597294d1dae5898b33/1609552308330blob.jpeg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/4162b8cdda18bd5700e22ef2bc1147636ae58956feb994a6917684cfc78461a4/1609552354368blob.jpeg" data-mid="93667023" border="0" data-scale="46" src="https://freight.cargo.site/w/720/i/4162b8cdda18bd5700e22ef2bc1147636ae58956feb994a6917684cfc78461a4/1609552354368blob.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;


&#38;gt;&#38;gt; Florence Peake: The Keeners&#38;nbsp; Space Arts, London Fields, London 2015

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/3e019d7b22b52d2f11e5420531d86039d4093de84322f4201b7f51f1f1b84ff1/DFlLZyWlWYSC3_2KTU4bgy6R5lutWSRjZIzzbQLeMVA.jpeg" data-mid="36333302" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/3e019d7b22b52d2f11e5420531d86039d4093de84322f4201b7f51f1f1b84ff1/DFlLZyWlWYSC3_2KTU4bgy6R5lutWSRjZIzzbQLeMVA.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/847da0e15027093060d210b3475d2891e934f9a29fef41fb130da89302779bc1/9mfjNNa7Krr4Cq9Lt3Rdq-T_TYx7ZIN7yFc4MTJqINw.jpeg" data-mid="36329828" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/847da0e15027093060d210b3475d2891e934f9a29fef41fb130da89302779bc1/9mfjNNa7Krr4Cq9Lt3Rdq-T_TYx7ZIN7yFc4MTJqINw.jpeg" /&#62;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="795" height="496" width_o="795" height_o="496" data-src="https://freight.cargo.site/t/original/i/24b4768f73dc7a648e224ce6045fd91e54231e764eadbbd056a19f7b98f94721/Image-28-02-2019-at-13.13.jpg" data-mid="36508327" border="0" data-scale="41" src="https://freight.cargo.site/w/795/i/24b4768f73dc7a648e224ce6045fd91e54231e764eadbbd056a19f7b98f94721/Image-28-02-2019-at-13.13.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="902" height="667" width_o="902" height_o="667" data-src="https://freight.cargo.site/t/original/i/7f9afcc907d5d2285a084f53f82f813a610bc39049009124aa66a7a1c6a95a31/The-Keeners_Low-smaller.jpg" data-mid="36329829" border="0" data-scale="45" src="https://freight.cargo.site/w/902/i/7f9afcc907d5d2285a084f53f82f813a610bc39049009124aa66a7a1c6a95a31/The-Keeners_Low-smaller.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="512" height="320" width_o="512" height_o="320" data-src="https://freight.cargo.site/t/original/i/a73ce71e2d086b6b8f89e1d753213feb01193f6078cc065b48473e3e86d2b96f/9jasxWvJLQ4YBTqeTL3_hQQ0cuiXcKk6HXfMd3jh7Zo.jpg" data-mid="36884295" border="0" data-scale="36" src="https://freight.cargo.site/w/512/i/a73ce71e2d086b6b8f89e1d753213feb01193f6078cc065b48473e3e86d2b96f/9jasxWvJLQ4YBTqeTL3_hQQ0cuiXcKk6HXfMd3jh7Zo.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="350" height="234" width_o="350" height_o="234" data-src="https://freight.cargo.site/t/original/i/e307ca2d53635396f0de41205c1c2f3d90c4bf7605a6ccdbfb1ac45818ade62e/Image-28-02-2019-at-13.08.jpg" data-mid="36508144" border="0" data-scale="67" src="https://freight.cargo.site/w/350/i/e307ca2d53635396f0de41205c1c2f3d90c4bf7605a6ccdbfb1ac45818ade62e/Image-28-02-2019-at-13.08.jpg" /&#62;

https://www.youtube.com/watch?v=UlYhreBvBK4


https://vimeo.com/142262420






&#38;gt;&#38;gt; Essex Olivares: Office Riddim&#38;nbsp; Cell project Space, London 2015

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="573" height="480" width_o="573" height_o="480" data-src="https://freight.cargo.site/t/original/i/f2a4cf4a965cf19b9c6bc25b1f9398603df4908446c456c97c487beace0ea3bf/essex-olivares07-office-riddim-2013-15.jpeg" data-mid="42735079" border="0" data-scale="43" src="https://freight.cargo.site/w/573/i/f2a4cf4a965cf19b9c6bc25b1f9398603df4908446c456c97c487beace0ea3bf/essex-olivares07-office-riddim-2013-15.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="559" height="481" width_o="559" height_o="481" data-src="https://freight.cargo.site/t/original/i/8d8a42e99138ca8b73cbc59af18f9748d37d2ece256c7a685d5f5caf34e741d1/essex-olivares25.jpeg" data-mid="42735231" border="0" data-scale="40" src="https://freight.cargo.site/w/559/i/8d8a42e99138ca8b73cbc59af18f9748d37d2ece256c7a685d5f5caf34e741d1/essex-olivares25.jpeg" /&#62;&#38;nbsp;&#38;nbsp;




&#38;gt;&#38;gt; Michael Klien: Parliament&#38;nbsp; Benaki Museum of Contemporary Art, Athens , Greece 2014Prague Quadrenniale, Czech Republic (film) 2015RICE on Hydra, Greece 2013
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1920" height="941" width_o="1920" height_o="941" data-src="https://freight.cargo.site/t/original/i/ca661962bec7fd8f6cc7aea4b7dcd67d893dfa83388d1b16dd2ad924d7df3915/Screenshot-Prologue-Parliament-00.jpg" data-mid="36329834" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/ca661962bec7fd8f6cc7aea4b7dcd67d893dfa83388d1b16dd2ad924d7df3915/Screenshot-Prologue-Parliament-00.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f4460aa2ff26571d129ba91f16bd9e023e1f346e2ec7fd419fe4a59a20cbde14/Screenshot-Prologue-Parliament-04.jpg" data-mid="36586178" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/f4460aa2ff26571d129ba91f16bd9e023e1f346e2ec7fd419fe4a59a20cbde14/Screenshot-Prologue-Parliament-04.jpg" /&#62; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2048" height="1295" width_o="2048" height_o="1295" data-src="https://freight.cargo.site/t/original/i/a823e192123f9505bd484f2a5c9726e6648e1d6e9bb1828565417521821ab47c/Image-22-02-2019-at-13.14.jpg" data-mid="36329832" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/a823e192123f9505bd484f2a5c9726e6648e1d6e9bb1828565417521821ab47c/Image-22-02-2019-at-13.14.jpg" /&#62;&#38;nbsp;





&#38;gt;&#38;gt; Florence Peake: Swell the Thickening Surface OfHayward Gallery, London 2014


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="893" height="561" width_o="893" height_o="561" data-src="https://freight.cargo.site/t/original/i/26c529b57fa3ff5bac3b801a6014074342008eb40a523d119deb8fc5675e194e/Image-05-03-2019-at-14.21.jpg" data-mid="36879656" border="0" data-scale="45" src="https://freight.cargo.site/w/893/i/26c529b57fa3ff5bac3b801a6014074342008eb40a523d119deb8fc5675e194e/Image-05-03-2019-at-14.21.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="883" height="1047" width_o="883" height_o="1047" data-src="https://freight.cargo.site/t/original/i/2df49fbb39727bbfd436dcef042ab0060089755f23536cb33b6ee8c22002d162/IMG_6065.jpg" data-mid="36879234" border="0" data-scale="24" src="https://freight.cargo.site/w/883/i/2df49fbb39727bbfd436dcef042ab0060089755f23536cb33b6ee8c22002d162/IMG_6065.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="837" height="547" width_o="837" height_o="547" data-src="https://freight.cargo.site/t/original/i/fade02cb861ffce2187d32b99fe481459deb3c9ffc88cf259ff301a483835850/Image-05-03-2019-at-14.19.jpg" data-mid="36879643" border="0" data-scale="69" src="https://freight.cargo.site/w/837/i/fade02cb861ffce2187d32b99fe481459deb3c9ffc88cf259ff301a483835850/Image-05-03-2019-at-14.19.jpg" /&#62;





&#38;gt;&#38;gt; Adam James: Sanctuaries Jerwood Gallery London 2014
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="320" height="506" width_o="320" height_o="506" data-src="https://freight.cargo.site/t/original/i/6c242c4d8337ca07501714032cea5b17cc646d72e5a7ed7c0aa32a52f2b97ec2/1184886_10151887955701727_175780233_n.jpg" data-mid="36878586" border="0" data-scale="29" src="https://freight.cargo.site/w/320/i/6c242c4d8337ca07501714032cea5b17cc646d72e5a7ed7c0aa32a52f2b97ec2/1184886_10151887955701727_175780233_n.jpg" /&#62; &#38;nbsp;






&#38;gt;&#38;gt; Tino Sehgal: These Associations&#38;nbsp;  Tate Modern, London 2012


 &#38;nbsp;&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/93bc254f97be4863e0b02b8b7aedff4a3bfc5e92661a747dd20dbec0606aca31/Tino-Sehgal-These-Associations-Turbine-Hall-Tate-Modern-Londra-foto-Aldo-Colella-13.jpg" data-mid="36329830" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/93bc254f97be4863e0b02b8b7aedff4a3bfc5e92661a747dd20dbec0606aca31/Tino-Sehgal-These-Associations-Turbine-Hall-Tate-Modern-Londra-foto-Aldo-Colella-13.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1600" height="1195" width_o="1600" height_o="1195" data-src="https://freight.cargo.site/t/original/i/61de6684c87d5ef53ffef53ade8990421a917c9115014a8d8d75f1d3e6bf9887/Image-05-03-2019-at-19.59.jpg" data-mid="36908385" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/61de6684c87d5ef53ffef53ade8990421a917c9115014a8d8d75f1d3e6bf9887/Image-05-03-2019-at-19.59.jpg" /&#62;&#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="736" height="736" width_o="736" height_o="736" data-src="https://freight.cargo.site/t/original/i/9538b437a90c5fb6154f68bc2adf0fa4431f3dd14b05a7853fe9c6e5cadd50ea/Image-05-03-2019-at-20.00.jpg" data-mid="36908395" border="0" data-scale="30" src="https://freight.cargo.site/w/736/i/9538b437a90c5fb6154f68bc2adf0fa4431f3dd14b05a7853fe9c6e5cadd50ea/Image-05-03-2019-at-20.00.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/f4be994ac3b1b12c436acb5698051ed56d881aa96116ee834a7fc169a5181970/tino-sehgal-image-2.jpg" data-mid="36329844" border="0" data-scale="41" src="https://freight.cargo.site/w/800/i/f4be994ac3b1b12c436acb5698051ed56d881aa96116ee834a7fc169a5181970/tino-sehgal-image-2.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


https://www.youtube.com/watch?v=Pk7FKMEwMRg




https://www.youtube.com/watch?v=4WwfRFvHnhA







&#38;gt;&#38;gt; Anthony Gormley: One &#38;amp; Other &#38;nbsp;&#38;nbsp; The 4th Plinth, Trafalgar Square, London 2010

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="460" height="288" width_o="460" height_o="288" data-src="https://freight.cargo.site/t/original/i/d314a0999d00a10c222dfc71b92ec7f7a29fb175f72bc95b1925cf903a131d54/trafalagar-plinth-4_786979c.jpg" data-mid="36333160" border="0" data-scale="45" src="https://freight.cargo.site/w/460/i/d314a0999d00a10c222dfc71b92ec7f7a29fb175f72bc95b1925cf903a131d54/trafalagar-plinth-4_786979c.jpg" /&#62;&#60;img width="591" height="327" width_o="591" height_o="327" data-src="https://freight.cargo.site/t/original/i/5dafb63800d2d81036a27072764fc4ccdd971844249d0fea46512ce662465c3f/1609551819616blob.jpeg" data-mid="93667018" border="0" data-scale="40" src="https://freight.cargo.site/w/591/i/5dafb63800d2d81036a27072764fc4ccdd971844249d0fea46512ce662465c3f/1609551819616blob.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="611" height="340" width_o="611" height_o="340" data-src="https://freight.cargo.site/t/original/i/07936b0ff283cc5d68d0a43165f612bd9eeaf4edebf78983df1b33e914fd747b/1609552016522blob.jpeg" data-mid="93667019" border="0" data-scale="64" src="https://freight.cargo.site/w/611/i/07936b0ff283cc5d68d0a43165f612bd9eeaf4edebf78983df1b33e914fd747b/1609552016522blob.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Week 4, Saturday 7am
https://www.webarchive.org.uk/wayback/archive/20100223131312/http://www.oneandother.co.uk/participants/Lizzy





&#38;gt;&#38;gt; Rosemary Lee: Common Dance team-leader of mixed age community performersGreenwich Dance Agency, London 2009 

Dance Umbrella festival 2009
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3006" height="4029" width_o="3006" height_o="4029" data-src="https://freight.cargo.site/t/original/i/463d38e4bc48966b1edc2502649e189ad46018bd92004a5885b8edfe570c9db7/IMG_0780.jpg" data-mid="36329835" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/463d38e4bc48966b1edc2502649e189ad46018bd92004a5885b8edfe570c9db7/IMG_0780.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="640" height="425" width_o="640" height_o="425" data-src="https://freight.cargo.site/t/original/i/7201652cc32448c22dbba0b495b27b3ae5efb1f226b01cbd91c13636c080c429/Image-22-02-2019-at-10.34.jpg" data-mid="36329833" border="0" data-scale="38" src="https://freight.cargo.site/w/640/i/7201652cc32448c22dbba0b495b27b3ae5efb1f226b01cbd91c13636c080c429/Image-22-02-2019-at-10.34.jpg" /&#62; &#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="901" height="792" width_o="901" height_o="792" data-src="https://freight.cargo.site/t/original/i/44be44c758871db2611888b223a1e635119bd00e1cae3e8c9109beaa0688e178/Image-22-02-2019-at-13.18.jpg" data-mid="36329831" border="0" data-scale="48" src="https://freight.cargo.site/w/901/i/44be44c758871db2611888b223a1e635119bd00e1cae3e8c9109beaa0688e178/Image-22-02-2019-at-13.18.jpg" /&#62;

https://sanjoyroy.net/2009/11/rosemary-lee-common-dance/








&#38;gt;&#38;gt; Dog Kennel Hill Project: People Working
The Place Theatre London 2009
photo @ Tony Wadham
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2048" height="1147" width_o="2048" height_o="1147" data-src="https://freight.cargo.site/t/original/i/820a6c6fd669001abf82b60c3c69a5392ee92d305a30e8eb71d8e7ed333fa8de/GyANZ4KA.jpg" data-mid="37710366" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/820a6c6fd669001abf82b60c3c69a5392ee92d305a30e8eb71d8e7ed333fa8de/GyANZ4KA.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2208" height="1236" width_o="2208" height_o="1236" data-src="https://freight.cargo.site/t/original/i/f07b5b32cd64bdc6513b2687aac83ce335855f0bd4cbb9b24d4f74e0c03f5b48/eK_1DFOw.jpg" data-mid="37710500" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/f07b5b32cd64bdc6513b2687aac83ce335855f0bd4cbb9b24d4f74e0c03f5b48/eK_1DFOw.jpg" /&#62;
 &#38;nbsp;&#38;nbsp;






&#38;gt;&#38;gt; Ricochet Dance Productions / Wally Cardona: ELSEWHERE &#38;nbsp; National touring: theatres across UK 2005 – 2006 Dance Umbrella festival 2005

 
&#60;img width="2972" height="3963" width_o="2972" height_o="3963" data-src="https://freight.cargo.site/t/original/i/9163edf4e06071376ac7f1a40d2cd163939295e4699edd82601f6bf16e525442/IMG_0782.jpg" data-mid="36329841" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/9163edf4e06071376ac7f1a40d2cd163939295e4699edd82601f6bf16e525442/IMG_0782.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="900" height="1350" width_o="900" height_o="1350" data-src="https://freight.cargo.site/t/original/i/00c58fd1f360e5f1d28ac55b3435ac72f44383be7adc00c145e37c09f601a65e/IMG_2932.JPG" data-mid="38456811" border="0" data-scale="26" src="https://freight.cargo.site/w/900/i/00c58fd1f360e5f1d28ac55b3435ac72f44383be7adc00c145e37c09f601a65e/IMG_2932.JPG" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/1b178c4540042c2a9e96f3e83e8df561ae3c8154fcbb0bf6725ea2cc189c2b36/IMG_3022.JPG" data-mid="38456859" border="0" data-scale="50" src="https://freight.cargo.site/w/900/i/1b178c4540042c2a9e96f3e83e8df561ae3c8154fcbb0bf6725ea2cc189c2b36/IMG_3022.JPG" /&#62;

&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/2e908ace27c00c600a43e835ebc7c7b85c69e524bdac04087a30d89211864c42/IMG_3115.JPG" data-mid="38458022" border="0" data-scale="27" src="https://freight.cargo.site/w/900/i/2e908ace27c00c600a43e835ebc7c7b85c69e524bdac04087a30d89211864c42/IMG_3115.JPG" /&#62;





&#38;gt;&#38;gt; Ricochet Dance Productions / Jan Pusch: real deal&#38;nbsp; 
National touring, theatres across UK 2005 – 2006&#38;nbsp;Dance Umbrella festival 2005 
images@ Greg Nash

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a077d685d962745f2868e93aa5b18bbf1efa60dabbdb49c3e041a9301437d4d5/IMG_0781.jpg" data-mid="36329836" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/a077d685d962745f2868e93aa5b18bbf1efa60dabbdb49c3e041a9301437d4d5/IMG_0781.jpg" /&#62;&#38;nbsp;&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2953" height="4023" width_o="2953" height_o="4023" data-src="https://freight.cargo.site/t/original/i/c76549bd49faba25157278ea77441702a8c5fa051c0df025324c0d05355ff3c6/IMG_0778.jpg" data-mid="36329837" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/c76549bd49faba25157278ea77441702a8c5fa051c0df025324c0d05355ff3c6/IMG_0778.jpg" /&#62;





&#38;gt;&#38;gt; Roman Polanski: Oliver Twist Barmaid in The Three Cripples - Fagin and Bill Syke’s local&#38;nbsp;
cinemas worldwide 2004&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="142" height="202" width_o="142" height_o="202" data-src="https://freight.cargo.site/t/original/i/016ad628cdbf4188266db8373a864a4096a9a0da6de99ed0dafb826999d3846b/Image-18-11-2019-at-14.48.jpg" data-mid="54951425" border="0" data-scale="100" src="https://freight.cargo.site/w/142/i/016ad628cdbf4188266db8373a864a4096a9a0da6de99ed0dafb826999d3846b/Image-18-11-2019-at-14.48.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="486" height="304" width_o="486" height_o="304" data-src="https://freight.cargo.site/t/original/i/a49ff3e159586e0b561112d89cb3ea547fee9143d58503a8624b20e7d071d52a/Image-18-11-2019-at-15.07.jpg" data-mid="55624940" border="0" data-scale="68" src="https://freight.cargo.site/w/486/i/a49ff3e159586e0b561112d89cb3ea547fee9143d58503a8624b20e7d071d52a/Image-18-11-2019-at-15.07.jpg" /&#62;





&#38;gt;&#38;gt; Susana Szperling: Diary of a Trip
Dance theatre performance with audience lying on the stageSchloss Broellin, Germany 2004
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="611" height="597" width_o="611" height_o="597" data-src="https://freight.cargo.site/t/original/i/57e5944c1dfd5274c23d4dc2daf1cf460cc9f6e3369b001ab4289733c8d3a5f9/Image-28-02-2019-at-14.28.jpg" data-mid="36514133" border="0" data-scale="35" src="https://freight.cargo.site/w/611/i/57e5944c1dfd5274c23d4dc2daf1cf460cc9f6e3369b001ab4289733c8d3a5f9/Image-28-02-2019-at-14.28.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="639" width_o="744" height_o="639" data-src="https://freight.cargo.site/t/original/i/4821bf4861d3b4747ca354bd2d718484653e1ab024cd31930365a65a73494c79/Image-28-02-2019-at-14.27.jpg" data-mid="36513840" border="0" data-scale="40" src="https://freight.cargo.site/w/744/i/4821bf4861d3b4747ca354bd2d718484653e1ab024cd31930365a65a73494c79/Image-28-02-2019-at-14.27.jpg" /&#62;





&#38;gt;&#38;gt; Susana Szperling: The KitchenDance filmJacobs Pillow, USA 2000Videodanza, Buenos Aires, Argentina 2002 

&#60;img width="545" height="564" width_o="545" height_o="564" data-src="https://freight.cargo.site/t/original/i/7bf997d5b0eaf0e24a83965366c9be92c336251442f89696338d9682d1beefbd/Image-28-02-2019-at-13.35.jpg" data-mid="36511709" border="0" data-scale="25" src="https://freight.cargo.site/w/545/i/7bf997d5b0eaf0e24a83965366c9be92c336251442f89696338d9682d1beefbd/Image-28-02-2019-at-13.35.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="1444" height="1012" width_o="1444" height_o="1012" data-src="https://freight.cargo.site/t/original/i/a946c4d4f9f7fd087372b841739625490063ab7198ba8eefcd11281807e32fb0/Screenshot-2019-02-28-at-14.04.47.png" data-mid="36512016" border="0" data-scale="37" src="https://freight.cargo.site/w/1000/i/a946c4d4f9f7fd087372b841739625490063ab7198ba8eefcd11281807e32fb0/Screenshot-2019-02-28-at-14.04.47.png" /&#62; &#38;nbsp;&#60;img width="754" height="596" width_o="754" height_o="596" data-src="https://freight.cargo.site/t/original/i/368934badc50adaa616ad3f6343f8631dfb9284a48eef52769a08d4bcb13a032/Image-28-02-2019-at-14.07.jpg" data-mid="36512411" border="0" data-scale="33" src="https://freight.cargo.site/w/754/i/368934badc50adaa616ad3f6343f8631dfb9284a48eef52769a08d4bcb13a032/Image-28-02-2019-at-14.07.jpg" /&#62;





&#38;gt;&#38;gt; DanceHouse/Darlene Stevens: The Square Spring Loaded, The Place Theatre, London 1999Almada International Festival, Portugal 1999IMZ International Festival, Germany 1999Phoenix Arts Centre, Leicester&#38;nbsp; 1998
New Works Festival, Leicester 1998 Laban theatre London 1998



&#60;img width="2937" height="4013" width_o="2937" height_o="4013" data-src="https://freight.cargo.site/t/original/i/0ea4179caccf8ecb37113a0b9748b24e6aeaf55ebc8971ad29c62b7a2d0b1dbe/IMG_0757.jpg" data-mid="36329838" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/0ea4179caccf8ecb37113a0b9748b24e6aeaf55ebc8971ad29c62b7a2d0b1dbe/IMG_0757.jpg" /&#62;&#38;nbsp;&#60;img width="480" height="640" width_o="480" height_o="640" data-src="https://freight.cargo.site/t/original/i/f8147ef8ea52cf95d7f83461afb79d839df7c9791a9c28469c6bc51f1c050c13/IMG_0756.jpeg" data-mid="46518779" border="0" data-scale="21" src="https://freight.cargo.site/w/480/i/f8147ef8ea52cf95d7f83461afb79d839df7c9791a9c28469c6bc51f1c050c13/IMG_0756.jpeg" /&#62;







 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt; Torn Halves: The Seven Deadly Sins Hackney Empire, London 1993
&#60;img width="2568" height="3505" width_o="2568" height_o="3505" data-src="https://freight.cargo.site/t/original/i/8b221e3e0cb5fe52c465c17b6d1726f58a459bf6de1f22fbb6cca5dd0a04e132/IMG_0918.jpg" data-mid="55635872" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/8b221e3e0cb5fe52c465c17b6d1726f58a459bf6de1f22fbb6cca5dd0a04e132/IMG_0918.jpg" /&#62;

&#38;gt;&#38;gt; Divadlo K: Blood on the Water Sadler’s Wells Theatre, London 1991; Richard da Marco Foundation, Edinburgh Festival 1991





&#38;gt;&#38;gt; Diggers Theatre: The Flight of Mary GarlandOval House Theatre, London 1990Sallis Benney Theatre, Brighton 1990</description>
		
	</item>
		
		
	<item>
		<title>contact</title>
				
		<link>https://lizzylequesne.com/contact</link>

		<pubDate>Mon, 18 Feb 2019 02:03:09 +0000</pubDate>

		<dc:creator>Lizzy Le Quesne.com</dc:creator>

		<guid isPermaLink="true">https://lizzylequesne.com/contact</guid>

		<description>

lizzylequesne@yahoo.co.uk


https://www.linkedin.com/in/lizzy-le-quesne-b44b4135/?originalSubdomain=ukhttps://www.researchgate.net/profile/Lizzy-Le-Quesne-3https://coventryuniversity.academia.edu/LizzyLeQuesne


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